Five Reasons to Get REALLY Excited about Gamut

  1. Speculative fiction needs more professional, paying markets. In fact, the literary scene in general could use more professional, paying markets. Too often, writers are writing for free. Gamut will pay professional rates to its writers and artists.
  1. Gamut already has “street cred.” The editor has connections with established writers and artists in the field. This provides the journal with a jump start into the field that other journals have to work their way up to. In short, Gamut has basically overcome years 1-2 in the new business scene before it has published a single word.
  1. Similar to #4, Gamut is using a Kickstarter campaign to get going. When businesses are started through crowdfunding, they start with a level of patronage that doesn’t exist for many other new businesses. Just how much support is this? In the first 13 days of Gamut’s campaign, the Kickstarter campaign has earned over $25,000 toward their $52,000 goal. That support comes from 77 countries.
  1. The Lineup: 20 Provocative Women Writers. Speculative fiction is dominated by men. While the editor of Gamut is a man, Richard Thomas is also dedicated to advancing speculative fiction by women. The Lineup, edited by Thomas, is haunting and thought-provoking. If you haven’t read it yet and you’re a woman, read it. Support work by women. If you haven’t read it yet and you’re a man, read it. Support work by women. And know that you won’t regret the read.
  1. Gamut will be a place for literary speculative fiction, a genre that exists only in bits and pieces right now. Both Thomas’s own writing and the books that he has edited demonstrate that literary quality is of paramount importance to him. Those of us who love speculative fiction that attends not only to the needs of the genre, but also to the craft of writing beautifully will at last have one place to which we can turn to get our fix. No more wading through half a dozen SFF magazines to find the one story that speaks to us!

Are you in yet? Support Gamut’s Kickstarter campaign here. Do it now!

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Notes on Reactions to The Hobbit and The Lord of the Rings Adaptations

I write fantasy. I read fantasy. I love Tolkien and I loved Jackson’s representation of The Lord of the Rings trilogy. The reaction to An Unexpected Journey and The Desolation of Smaug has been interesting to me because, for all intents and purposes, Jackson actually made fewer character changes in The Hobbit series—and none that damaged the integrity of the original story—than he did in The Lord of the Rings trilogy, but the former is being called fan fiction and the latter is hailed as genius by Tolkien fans everywhere.

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December Guest Blogger Submission Open

December’s theme is: The Impossible Holiday;  Deadline: December 7, 2012

As you know, I tried a Guest Blogger feature back in October. I had only one submission for a three-month term and I needed to think about how to make this feature work both for my readers and for myself. So here’s what I came up with: I’ll announce a theme and accept submissions from potential guest bloggers through the first seven days of each month. I will post the top five submissions at varying times through the month. Selected contributors will be able to have a brief bio and a link on a static page on S & I. You need not be a professional writer to participate! My goal is to highlight different perspectives and to provide a small forum for creative thought. Interested? Read the guidelines:

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NaNoWriMo #10-12: Lord of the Rings & Disillusionment

Yes, I am a geek. I am proud to be a geek. I’m really okay with being a fantasy geek. I’ve almost convinced myself that it isn’t the best genre for me to write, but for reading, there are few genres that I enjoy as much. The Lord of the Rings trilogy wasn’t my first foray into fantasy (that honor belongs to the Incarnations of Immortality series by Piers Anthony, which, in retrospect, is just plain awful), but it was the first trilogy that I remember taking my breath away.

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NaNoWriMo #6 and 7: Two Books I Read as a Child

The first full length novel I remember reading was Watership Down. I was in the third grade and my father bought it for me. The weekend after I’d finished it, we drove out to Elbe to a little greasy spoon restaurant (my dad’s favorite kind) and talked about the book over a french dip sandwich. It was my first experience with a grown-up literary conversation and it went something like this:

Dad: Did you like the book?

Me: The rabbit book?

Dad: Are you sure it was about rabbits?

Me: It said it was about rabbits.

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